![]() ![]() For lead and solo playing see the blues scale. The 12 bar structure is played three times. The track includes a 12 bar blues in E that involves only bass and drums. This is how you count to avoid getting lost: 1, 2, 3, 4 You could play the E Pentatonic minor blues scale in 1st position over the chords. Although some chords may sound better together than others, no matter which variations you choose, they will all work. With the chords in the blues chord chart above, you can pretty much interchange any chord and apply it to a particular 12-bar blues pattern. The Allmans 'Stormy Monday' is an example of a minor 7th blues. ![]() Many blues progressions use minor chords, of course. Start from top left and play four beats per measure. 12-bar blues chords: A13(v3) x 3 A7 x 1 D7(v4) x 2 A13(v3) x 2 E13(v3) x 1 D13(v3) x 1 A13(v3) x 1 E13(v3) x 1. The other post notes that if you analyze the I - IV - V chords in a blues, theyre frequently I7, IV7, and V7. To avoid the long jump back to 1st position, you could choose to play the E7 (I) chord asīelow is one way to play the chords in a 12 bar progression. So, it's also possible to play A7 as X7768X and B7 as X998 10 X, or with E as pedal note (07768X / 0998 10 X). Notice that the chords are based on a partial E7 shape (022130). These particular chords could be seen as voicings with the 5th omitted. The journey goes from the 2nd via the 7th and 9th frets in which the bass and root note and is the same. The next step when you have become comfortable is try to hammer-on on the third string for the E chord plus shifting between A7 and XX2222.Ģnd package: Here is a way to play blues with one movable shape. 1st package: These are very common chords for using together in blues in the key of E. ![]()
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